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The Le Regole d'Ampezzo, the collective properties of Cortina d'Ampezzo, manage the natural heritage of forests and pasturelands and perform a number of cultural activities focussing on promoting and preserving the historical and artistic heritage of the Ampezzo community.

The Regole of Ampezzo administer three Museums: the Rinaldo Zardini Palaeontology Museum, exhibiting the Dolomite fossils, the Mario Rimoldi Modern Art Museum hosting one of the most important art collections of the Italian Twentieth century, and the Regole of Ampezzo Ethnographic Museum that shows the silvan and pastoral traditions of the Regole community through objects and images.

Modern Art Museum "Mario Rimoldi"
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Palaeontology Museum "Rinaldo Zardini"
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Ethnographic Museum "Regole of Ampezzo"
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Through educational activities, publications, and cooperations with other museums and cultural institutions, the Regole of Ampezzo promote the rich heritage of the museums

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The exhibition aims at recalling the first Italian Exhibition of Contemporary Art Collections, which was held in Cortina in August 1941, with the support of the Ministry of Education.
Mario Rimoldi, who had always been encouraging young painters, was entrusted with its organization. The exhibition aimed at promoting contemporary art collections and encouraging the creation of new collections.

The exhibition unfolds on three floors:

Ground floor: Falling in Love
Reconstruction of Mario Rimoldi's historic and cultural environment. In addition to artworks from his private collection there are displayed images, documents, and anything apt to best introduce the visitor to the times and spirit of the art collector.

First floor: Contemporary Art, Today
Along the same line of the 1941 Italian Exhibition of Contemporary Art Collections and in the same spirit of Mario Rimoldi, who had close contacts with the artists of his time, there are works by contemporary artists from private art collectors and art galleries all over Italy.

Second floor: Contemporary Art, Yesterday
This section displays the works from the Collection that best highlight Rimoldi as a keen forerunner in his choice of artists. Possible relationships with present works of art are significant.

The first thing that can be said about Rosanna Basilio is that she fits the template of the Venetian artist: she has assimilated, reliveed and recomposed theories of art in an approach that is typical of Venezian art. This type of art is not cultured for the sake of it; it keeps culture under wraps – while displaying the joyous form of the created object, whatever it may be, adorned with colours that a Venetian artist does not show, but rather suggests.
The colours of the Veneto are as allusive as the distances of the lagoon, yet they always sparkle with life. Rosanna Basilio has enriched her life by creating elegant drapery: tapestries with precious metallic materials that give rise to unexpected chromatic and textural effects.
But the artist does not stop there: for years she ha salso been making extraordinary polychromatic and variously shaped – almost shape-changing – glass vases, which have been frequently displayed at exhibitions.
Finally, the least k

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DISCOVER THE PALAEONTOLOGY MUSEUM...

The Dolomite massifs surrounding Cortina are the result of the uplifting and folding of large rock masses, caused by tremendously powerful tectonic movements.
These phenomena ravaged an area, whic

Regole d'Ampezzo - Via Mons. P. Frenademez, 1 - I-32043 Cortina d'Ampezzo - Codice fiscale e partita IVA 00065330250